Little Stories.
Thursday, April 25, 2024
252. Eye & } encampment.
Wednesday, March 6, 2024
251. A peach-colored jumpsuit } & a bundle of rags.
After the reading I went to a house in Providence where a woman said she was going to tell us a story about a serial murderer. She told us what the murderer did with the skin & genitalia of his victims & that he carried a human skull in a lunchbox & brought it with him to work. She was excited to tell these anecdotes; she believed she would enthrall us—but her anecdotes were poorly told & pointless.
Friday, February 16, 2024
250. Livia Llewellyn’s last } post / publication.
Livia Llewellyn writes,
Going forward, I’m going to continue to write and submit stories, but all of that other stuff—trying to find an agent, trying to get a book deal, networking… will end. I don’t need to do it, it makes me miserable… and while I’ve appreciated the “you can do it” cheers from all of the writers I’ve met over the years, at some point we’ve all come to realize that, no, I in fact cannot do it. And honestly, it’s become exhausting and cruel to everyone to make everyone keep up the pretense. You’ve all done so well, and it’s been amazing being allowed to hang out with so many writers who’ve achieved so many incredible things. It’s been a privilege and a joy to know all of you—you know who you all are, and I will miss your company. But I’ve been stuck in this fork of the road for two decades, and now it’s time to move on, down a different path from everyone else.
Thursday, January 4, 2024
249. “Can we talk about…? } “(Rabbit).”
Last month I wrote an essay for David Surface’s Strange Little Stories. Roughly monthly, David’s newsletter features true strange stories, one by David & another written by a guest—plus news about David’s work, other writers’ work, &, in this issue, an interview w/ me.
…he said some very nice things on his blog about a story of mine he’d read…. I reached out to thank him, and that started an on-again off-again correspondence that I enjoyed very much. So, I was very glad when I got the chance to pick up our conversation again.
Monday, October 30, 2023
248. On Gladiolus } “the largest blossoming flower.”
Monday, September 18, 2023
247. Jackie Sibblies Drury speaks } Jimbo.
Fairview comes close to calling for white people to become spectacle only [“…simply ‘Look! A white person!’”]—but draws back, opts for “A Person Trying.” Fairview is a comedy—& thus ends w/ a marriage.
# # #
I’m fascinated by the roughly six-page monologue delivered by Jimbo, Fairview’s villain [or, rather, the play's most obnoxious character]. While Fairview references late 1980s / early ‘90s American television sitcoms, specifically those centered on Black family life, Jimbo’s monologue introduces Hostel (2005) & Hostel II (2007) to the material of Fairview—he explains why both are “kind of good” movies. He doesn’t name the films—perhaps to muffle incongruity of the reference?
Hostel & Hostel II are witty exploitation films concerned w/ gender, w/ American parochialism, &, most of all, w/ class. A wealthy European aristocracy rule over the merely rich who purchase from them kidnapped travelers to torture (not poor people; the kidnapped are young people of leisure—some of modest means, others rich; the only poor represented in the Hostel films are direct or indirect employees of the torture club). Any member of the torture club who break rules / show weakness suffer consequences—they are merely rich.
Jimbo recounts a specific moment from the first Hostel film:
vrr-ng-ng-ng-ng
and slips in blood or something
and the rich guy decapitates himself
with his own chainsaw.
And it’s pretty obvious what that means.
Do you know what I mean?
It means he’s the victim of his own damn thing.
This scene is misremembered; the rich guy cuts off his leg—his victim, the film's protagonist, shoots the rich guy in the head. Easy to check (search: “Hostel chainsaw scene”). Deliberate? Details don’t matter to Jimbo. & his point weakens if, in fact, “the rich guy” is ultimately the victim of “his own damn thing” + the victim of a victim determined not to die. Alternatively, it’s possible Drury didn’t bother to check. She saw the Hostel films & remembers the impression they made & that was enough for her.
Do the Hostel films appear in Fairview as shorthand? Jimbo isn’t a character but a mouth; he is incapable of subtlety & lacks culture. Hostel is as close to art as he gets. Hostel & American television. Jimbo watches the show w/in Fairview & has a store of sitcom tropes—specifically Black sitcom tropes—well-memorized. Instead of Hostel, is there a less dissonant shorthand Drury might’ve reached for?
I first read Fairview in 2018. Then, I made the following marginal note on the script’s last page: “This play is weirder than the critics say it is.”
Monday, July 10, 2023
246. “Distant Signals” } attends Readercon 32.